Past Shows

The campers are all finally asleep, and the lake is getting quiet. Have a beer; make a s’more; tell a scary story. Figure out what you’re going to have to do in the morning to keep camp fun and safe without letting the kids find out about... well, you’ve seen the news. I just got a push notification—they’re getting closer.

Following a group of camp counselors trying to mold the leaders of tomorrow when tomorrow is looking bleaker and bleaker, The Grown-Ups explores the traditions that change us, what it takes for us to change them, and how to change yourself when you’re hopelessly, tragically not prepared for this.

“An apocalyptic play... part satire, part scary story.” – The New York Times

Left quad. Right quad. Lunge. A girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors. A portrait of life, liberty, and the pursuit of happiness for nine American girls who just want to score some goals.

Finalist, 2017 Pulitzer prize for Drama

Not recommended for under 14. Contains strong language and mature subject matter. 

Alan had a brother, and now he has a tattoo. Perhaps the tattoo is a fitting memorial of his brother, or perhaps it's a vain attempt at one. Tattoos, photos, recordings, letters – all things we bring to the future from the past. But are these things truly permanent, when even we ourselves aren't? 

In this action-packed samurai story set inside the halls of an all-American high school, Begets: Fall of a High School Ronin tells the tale of Emi Edwards, a high school geekgurl who's fighting to overthrow the cruel shoguns of her school. However in her journey to right wrongs, will her own cravings for popularity and power corrupt her quest to save the school? Will she able to establish a new world order? Or will violence just beget more violence?

Not recommended for under 14. Contains strong language.

In The Red Coat, a teenage boy in the Bronx lays in wait outside a party for a girl he hardly knows. 

1938, a train station. Alec and Laura are married - but not to each other. They meet, by chance, in the cafe of a train station, and begin a love affair, which they both know is ultimately doomed.

An elderly couple and aunt are waiting for a daughter to arrive home after years in Australia, but she is taking her time and the waiting is difficult. Dialogue is repeated over and over, each repetition sending the story veering in lurid and comical directions.

Someone can’t get a signal. Someone won’t answer the door. Someone put an elephant on the stairs. Someone’s not ready to talk. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone doesn’t understand pain. Someone’s never felt like this before.

Love and Information is an insightful, poetic, and fast-­paced play by award-­winning British playwright Caryl Churchill.

In over fifty scenes, more than a hundred characters are confronted with the things they know, don’t know, want to know, or want to forget. We get a glimpse of their attempts to discover meaning in the moment. In an age of big data and splintered attention spans, Love and Information challenges us to understand what it means to be truly connected with each other.

Brendan - thick as what all - gets a phone call from his ex: Emily. "I screwed up real bad", she says. She rambles: "I did what she said with the brick, I didn't know it was bad, but The Pin's on it now for poor Frisco and they're playing it all on me." Brendan's not looking for a patch up. He just wants to help her deal with ... whatever this is. And then she turns up dead. What's left to do? Get the straight, and break some deserving teeth.